Saturday, April 17


Women call this the silent treatment. We let them think we don't like it.

There was one thing I forgot about Kill Bill Volume 2, the camera movement and framing were just spectacular. Tarantino uses to whole screen, and to great effect. The most obvious were the quick sooms on Pai Mei, but there were lots of great movements that were a bit more subtle.

It would be a travesty to watch this film in full screen mode. I would applaud greatly if Miramax didn't even bother with a pan and scan cut - just go widescreen ratio everywhere.


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