Sunday, August 24
Continuing Jill's viewing of important pop-culture movies she hasn't seen we watched Die Hard today. This really is a classic in the action movie realm. Although I went to read Ebert's review of it and was shocked he only gave this movie two stars and then gave Die Hard 2 3.5 stars. The second one was good, but I think the first one is a better movie. Alan Rickman is excellent as the main bad guy and the techie is a great secondary bad guy (he has lots of great lines.) Granted, the police chief is a buffoon and Ellis is ultra-annoying - but this is a movie that purposefully exaggerates it's characters. The second one had characters that were a little more in the realm of reality, but they weren't really interesting.
I saw SWAT yesterday and was quite suprised by it's quality. It wasn't fabulous or anything, but was a good, solid action movie. They fell into formulaic stuff in the end which was unfortunate. But they started well with an excellend cast: Samuel L. Jackson, Colin Farrel, LL Cool J, Michelle Rodriguez, and Josh Charles (another solid former Sports Night cast member.) Production values are good, and for the most part the action didn't stray into the preposterous - the notable exception being everything having to do with the learjet.
Time for some true movie nerdiness. I recognized a few cameos in SWAT. And they all came back to The Fast and the Furious. There were quick cameos of the actors that played Lance and Hector in Fast. And then it tied together when there was a cameo of one of the producers. Neal Moritz was a producer on both movies and had cameos in each. In Fast he was the Ferrari driver on the coastal highway. In SWAT he's an SUV driver during one of the police chase scenes. What's sad is I caught this while watching the movie, all I had to look up was his name. It's kind of strange sometimes to see movies connect like that.
This reminds me that there are certain movie makers who have a whole crew they work with all the time. Two writer/directors who do this pop to mind right away. Paul Thomas Anderson and David Mamet both make consistently good movies that tend to have a lot of the same people in them. It's fun and just of like watching an acting troop go to work.
Lastly, I also caught 24 late last week. This was a solid movie that was well acted but needed to have at least 20 minutes edited out. I don't really know New York so I don't think it connected with me in the same way it did with others and I think I would have chosen a less eclectic (and extreme) group to be the three main characters. But I guess that was the point. It was well made and fun to watch - but didn't resonate with me.
As I think back I'm struck with the consistent quality of Edward Norton's movies. Only Death to Smoochy was a poor movie. Although I didn't see it and have had people tell me I'll probably like it. I guess I should rent it sometime just to see what's going on and to prove to myself that Norton is capable of making a bad movie.