Human: Can a robot write a symphony? Can a robot take a blank canvas and turn it into a masterpiece?
Robot: Can You?
Major Spoiler Warning
I watched
I, Robot last night. I'd sort of given up on this one after I got the early buzz on it. And Ebert's
review really made me think they had screwed it up. You see, I like Asimov's robot stories. Almost all of them center around this theory of the three laws of robotics, which are intended to keep robots from hurting people or getting out of control. But the three laws have a lot of potential for creative logical ambiguities. I think just about all the robot stories (every one I can remember at least) was about exploring some of these logical loopholes, and how it causes robots to malfunction.
I had high hopes for the movie, as long as it remained smart it could be a really interesting sci-fi movie. And the director, Alex Proyas, has a resume that implies he could make this a really smart movie (he did
Dark City and
The Crow.) In the end it landed somewhere in the middle. The movie stays true to the spirit of the robot stories. Robots only break the three laws because there's some logical loopholes at work. But it doesn't stay true to them because it doesn't explore those logical loopholes at all. The movie is set up as an action/thriller movie, and most of the mystery involves why these robots are misbehaving. This is revealed, and with it the logical loophole explained in about four lines of dialog, near the end as part of the climax. I should note that I don't mean it took four lines of dialog to explain the loophole, I mean they only spent about four lines on it - total.
This means the story itself can't focus around the logic of the three laws. Instead it focuses on Will Smith and the robot psychologist Susan Calvin (a constant character in the robot stories.) And it ends up being basically an action movie. As a pure action movie it's decent though. There's some good action, and some fun chase scenes. They rely on cgi a little too much, and it all has that feel of pretty pictures but it's not a real object with real mass you're looking at. But that ok, it's fun.
Where the movie succeeds spectacularly is in it's beauty and visual imagination. This movie was pretty, and props, vehicles, and robot designs are all well conceived and fun to look at. The "Audi of Tomorrow" concept was so nice Audi is using it in real world advertisements ("Look at the cool looking concept car from this movie! Isn't it cool! Now buy an A4" -
I'm not kidding!)
They didn't totally take a pass on the robot quandaries. The main robot character spends a fair amount of the movie dealing with issues of self awareness, identity, and other traditionally human concerns. The movie never really slows down enough to really dig into these issues, but at least it gives them some screen time.
So it's ok that the movie mostly took a pass on the really smart content. In a sense it might even be good, since those kinds of heavy dialog kinds of problems often don't translate to film so well. They took the safe route and did an action/thriller, which translates to film very well, and added some robot stuff in for the people to consider if they felt like it.
Side notes:
1. I really disagree with Ebert on this one. I liked it, and found his review to be totally unhelpful in determining if I'd like it or not (he is usually very good at this, it's why he's my most trusted film reviewer.) But I totally agree with Orson Scott Cards
thoughts on it, which is rare because we almost never agree about movies.
2.
CJ had my favorite post movie thought, which both sums up the movie nicely and is topical these days based on what my company is doing (and how people think we're trying to take over the world.)
It all happened because of auto-update